Site Meter Reflections on Playboy

July 4, 2008

What sort of founder of America would have read Playboy if it had existed then?

Benjamin Franklin, to name at least one. In 1745, he wrote this letter:
To my dear Friend:

I know of no Medicine fit to diminish the violent Natural Inclinations you mention; and if I did, I think I should not communicate it to you. Marriage is the proper remedy. It is the most natural state of Man, and therefore the State in which you are most likely to find solid Happiness. Your Reasons against entering into it at Present appear to me not well founded. The circumstantial Advantages you have in View by postponing it, are not only uncertain, but they are small in comparison with that of the Thing itself, the being married and settled. It is the Man and Woman united that makes the compleat human being. Separate, she wants his Force of Body and Strength of Reason; he, her softness, Sensibility, and acute Discernment. Together they are more likely to succeed in the World. A single Man has not nearly the Value he would have in the State of Union. He is an incomplete Animal. He resembles the odd Half of a Pair of scissars. If you get a prudent, healthy Wife, your Industry in your Profession, with her good Economy, will be a Fortune sufficient.

But if you will not take this Counsel and persist in thinking a Commerce with the Sex inevitable, then I repeat my former Advice, that in all your Amours you should prefer old Women to young ones. You call this a Paradox and demand my Reasons. They are these:

1. Because they have more Knowledge of the World, and their Minds are better stor’d with Observations, their Conversation is more improving, and more lastingly agreeable.

2. Because when Women cease to be handsome they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a thousand Services small & great, and are the most tender and useful of Friends when you are sick. Thus they continue amiable. And hence there is hardly such a Thing to be found as an old Woman who is not a good Woman.

3. Because there is no Hazard of Children, which irregularly produc’d may be attended with much Inconvenience.

4. Because through more Experience they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclined to excuse an old Woman, who would kindly take Care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health & fortune among mercenary Prostitutes.

5. Because in every Animal that walks upright the Deficiency of the Fluids that fill the Muscles appears first in the highest Part. The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: so that covering all above with a Basket, and regarding only what is below the girdle, it is impossible of two Women to tell an old one from a young one. And as in the Dark all Cats are grey, the Pleasure of Corporal Enjoyment with an old Woman is at least equal, and frequently superior; every Knack being, by Practice, capable of Improvement.

6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy.

7. Because the Compunction is less. The having made a young girl miserable may give you frequent bitter Reflection; none of which can attend the making an old Woman happy.

8th and lastly. They are so grateful!!!

Thus much for my Paradox. But still I advise you to marry directly; being sincerely


Your Affectionate Friend,
Benjamin Franklin
I like to think that Franklin’s buddy found himself the colonial equivalent of Shirley Jones as the unforgettable silver fox in Grandma’s Boy (photo credit: MTV.com).

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Posted by Brian Sorgatz at 8:43 AM

February 2, 2008

Why is libertarian propaganda so sexy?

As devotees of free minds and free markets, we spend our nights pining for a major-party politician who not only looks dreamy while reading a Teleprompter but shows some passion for life, liberty, and the pursuit of happiness and sex, drugs, and rock ’n’ roll.
—Nick Gillespie and Tim Cavanaugh, “Building the Perfect Candidate,” Reason, April 2004

“Why are Russian women so hot?” asks Radley Balko at my source for the above photo of beautiful Maria Sharapova, the libertarian blog Hit & Run. To answer his own question, Balko approvingly cites Anne Applebaum of Slate, who credits the collapse of communism and the opening of markets in the former Soviet Union.

As a libertarian, I’ve been falsely accused of admiring Ayn Rand. Her novels reportedly have some kinky sex in them, but even so, I haven’t been motivated to read them after reading her March 1964 Playboy Interview (complete transcript; paid subscription required). Her assertion that “man does not possess any instincts” and her belief in “Objectivism” as a viewpoint structurally incapable of turning into fanatical dogma tell me that her view of human nature isn’t refined enough to merit serious study. As an alternative, I recommend a careful reading of the libertarian implications of Steven Pinker’s The Blank Slate: The Modern Denial of Human Nature.

I don’t necessarily speak of libertarian literature in general, but Reason has been sexing up its act for a while. More power to it, I say. Playboy and Reason are two magazines that can benefit mutually from a willingness to resemble each other a bit from time to time.

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Posted by Brian Sorgatz at 2:04 PM

January 4, 2008

The year before I was born, in a city thousands of miles away: the Jedi Bunny of my dreams

I was 16 when the 35th-anniversary issue of Playboy (January 1989) came out. Thanks to the Playboy Cyber Club retrospective on the 35-anniversary Playmate hunt that appeared the other day, I felt that age again. However, I want to be sure not to overlook an accidental juxtaposition of two mythic pop-cultural elements that I noticed in the other “magazine classic” that has just been released: “Bunnies of New York” (May 1971).

Emily Brown, at the Club’s Living Room buffet above, is a stay-at-home who writes fairy tales.
Photography by Pompeo Posar
At least once on That ’70s Show, Donna scolds Eric about his habit of making gratuitous Star Wars analogies. I refuse to take the hint. Sorry. Those analogies are too useful and too much fun. The photography team, the model, and the caption writer generate a mood of such noble, tranquil, dreamy solitude that, despite the anachronism, it’s easier for me to believe that the shiny cylinder at the Bunny’s hip is a lightsaber than a coin dispenser. As enticingly beautiful as Emily Brown is, a man who disturbed her fairy-tale reverie by making a crude pass would be as doomed as Actaeon after his transgression against Artemis.

Artemis and Aphrodite save me from Playboy Enterprises’ copyright lawyers in 2008!

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Posted by Brian Sorgatz at 10:01 AM

December 28, 2007

Another brain-science story teases with false hope of a “solution” to a public-policy dilemma

In this particular instance, the dilemma is the very real one of age of majority, specifically in relation to the death penalty. But for anyone who wants subtle wisdom in the complicated relationship between the new discoveries about the brain and political science, I recommend either How the Mind Works or The Blank Slate, both by Steven Pinker. (I haven’t had a close look at The Stuff of Thought yet, I admit.)

By the way, both of those books tend generally to strengthen the libertarian point of view. Just saying.

My point about age of majority, specifically, is that it’s like a highway speed limit. Science alone can never give us the “right” answer to the question, since it will always be a collective pragmatic trade-off between public safety and the comfort and convenience of speedy travel (or whatever the dilemma in human values that happens to rankle everybody). Sorry, utopians, but there you go.

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Posted by Brian Sorgatz at 1:06 PM

December 20, 2007

When Atlas shrugged, I figured that Satan would eventually get stoned

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Posted by Brian Sorgatz at 9:40 PM

December 19, 2007

Dear John Updike: a vivid literary image is not necessarily an interesting one

I appreciate it when an artist in any medium describes appropriate self-consciousness and deliberateness about craft. It reassures me that I will be well taken care of as part of the audience. In the January 2008 “Playbill” section introducing the major items in the magazine, fiction artist John Updike says, “Short stories now seem to just end, as if the writer ran out of typewriter ink or paper or something. I have this old-fashioned notion that stories should snap shut in the last line and throw light back to the first sentence.”

These words gave me hope of enjoying an Updike short story, for a change. But it didn’t happen for me with his January contribution, “Blue Light.” All I could do was skim it—with boredom punctuated by mild disgust at the elderly protagonist’s bigotry against young people and fat people. I’m charitable enough not to accuse him of racism, although the hoity-toity symbolism of his WASP skin problem serves mostly as a vehicle for dreary identity politics. My generation of entertainers (Quentin Tarantino, Seth MacFarlane) doesn’t care anymore, and neither do I. As a Gen-X white boy living under the glorious First Amendment, I feel little compunction about dropping an N-bomb here and there for rhetorical purposes [time-sensitive link].

As for the promised end-of-the-story zinger, there’s no there there. If only Updike had been a little more old-fashioned about the art of the short story, he would have put a plot in that thing. Paradoxically, at the same time, Updike displeased me by failing to be hip enough in his manner of writing. Novelist Jamie Malanowski, for example, knows what the written English language has to do to compete with television and YouTube in the twenty-first century. One of Malanowski’s friends and associates, Rebecca Lavoie, gives his novel The Coup five stars at Amazon, yet she complains in passing that “the prose is so tight as to provide almost no exposition at all.” What she calls lack of exposition, I call appropriate pacing to tell a good written story these days.

Updike’s unforgivable hubris lies in being too cool to want to tell a story. The bitter old fart at the center of “Blue Light” is essentially dying of boredom. But anyone would, with the kind of psychedelic depression that Updike provides for the inner monologue. Lighten up, dude!

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Posted by Brian Sorgatz at 12:27 PM

November 28, 2007

John Williams’ score for Catch Me If You Can as Chapman’s Homer

On First Looking into Chapman’s Homer

Much have I traveled in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-browed Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez [sic] when with eagle eyes
He stared at the Pacific—and all his men
Looked at each other with a wild surmise—
Silent, upon a peak in Darien.
—John Keats (1816)

I draw the analogy between the Romantic poem and the 2002 film score in the spirit of the revolutionary series of lectures on commerce and culture by Paul Cantor.

But Cantor’s wisely blurred distinctions do not invalidate all standards of taste as such. Perhaps a good working definition of kitsch is any piece of art, craft, or entertainment too stylized, affected, or bland to be recognizably human. By that standard, John Williams has rescued the “lounge” sensibility of today’s music nostalgia from the kitsch ghetto with the musical passage above.

Until that opening theme music, I was annoyed by lounge’s hooker-and-john rituals of pretending to dislike what one likes by finding elaborate ways to say, “It’s so bad that it’s good. Don’t confuse me with a dork because I enjoy this.” Lounge has always had some true, sincere artists working in it, but the irony has usually been too rich for my blood. Williams rounds the sensibility out by adding a natural, believable sense of menace to it. The result is something timelessly hip.

If science is essentially disciplined curiosity, art and art criticism are disciplined hedonism. Don’t snicker. One thing I mean by discipline is integrity about one’s aesthetic pleasures. A sense of irony is a virtue—in moderation.

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Posted by Brian Sorgatz at 2:33 PM

November 24, 2007

Novel review: The Coup by Jamie Malanowski

Try to imagine a sexy Dick Cheney. It’s not easy, of course, but Playboy managing editor Jamie Malanowski starts with that premise and takes us for a hell of a ride in The Coup, his novel of political satire and intrigue.

The vice president of the United States, protagonist Godwin Pope, does as well with the ladies as any other handsome, famous, socially graceful, independently wealthy bachelor. But after becoming lieutenant to his former political rival, President Jack Mahone, he finds himself promoted to his own level of uselessness. The job takes loads of his time while demanding very little of his intelligence or energy. His boredom makes him dangerous. One day, he notices that Jack’s indiscreet womanizing habit—and the gullibility of everyone else—give him an (underhanded) fighting chance for the presidency after all. Along the way, though, he meets Newsbreak reporter Maggie Newbold, who just might be that rare individual capable of outwitting him—and is clearly another Machiavellian sexpot like himself.

Malanowski’s prose has an agreeable trait in common with that of Stephen King: the vivid characters appear against the technicolor backdrop of American mass culture. With both authors, the effect is the literary equivalent of the best experience you could ever hope to have with 3-D glasses. I take pride in noting that bloggers play an indispensable role in the ecology of information flow that Godwin Pope endeavors to manipulate to his own advantage. The blogger’s art is young; the novelist’s art is old. But even as it flatters practitioners of the younger medium, The Coup reminds me that the novel is not due for retirement any time soon.

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Posted by Brian Sorgatz at 12:12 PM

November 8, 2007

Will the real “Coed of the Month” please stand up, please stand up, please stand up, please stand up?

Twice in two days, I have to report on a kind of intellectual laziness from the editors of the magazine’s “Playboy After Hours” section that shows contempt for the history of the publication they work for. In the first Playboy, Hugh Hefner defined the magazine as something for the sort of single man who might invite a single woman over “for a quiet discussion on Picasso, Nietzsche, jazz, sex.” (Despite his good record as an impresario of literature, Hefner is seldom particularly quotable. But his use of the word sex in that sentence is virtuoso wordplay. Is it the object of the preposition on or the preposition for?) There is a legacy to uphold, folks. What the fuck?

What the fuck, I mean to say, is the deal with the stupidly redundant “Coed of the Month” of the November and December “After Hours”? Who is responsible for failing to notice the well-established Coeds of the Month at the Playboy Cyber Club—who aren’t the corresponding women for either of those months? To make things as confusing as possible, Sarah Porchetta is the Cyber Club Coed for November and the magazine Coed for December. Nude modeling for any branch of Playboy Enterprises is enough of a hindrance on other career options to merit clear, undisputed, unambiguous titles for various venues. I think it’s only fair. Besides, “After Hours” had already had a good thing going with its Employee of the Month. When it started just a few years ago as an opportunity for female Playboy employees to pose, I saw it as a delightful sort of tribute to the groundbreaking July 1955 centerfold of Janet Pilgrim:
We suppose it’s natural to think of the pulchritudinous Playmates as existing in a world apart. Actually, potential Playmates are all around you: the new secretary at your office, the doe-eyed beauty who sat opposite you at lunch yesterday, the girl who sells you shirts and ties at your favorite store. We found Miss July in our own circulation department, processing subscriptions, renewals and back copy orders. Her name is Janet Pilgrim and she’s as efficient as she is good looking. Janet has never modeled professionally before, but we think she holds her own with the best of the Playmates of the past.
Quickly, the concept behind the Employee of the Month expanded to include women of other workplaces besides Playboy. But at least that change fit logically with what had come before. What the fuck?

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Posted by Brian Sorgatz at 6:27 PM

October 19, 2007

Guerrilla warfare has done for me what psychotherapy never could

A month ago tomorrow, I changed the outgoing message of my phone answering machine, making it even angrier than it had been. It was good for me. I think I’ll keep it.

In a certain manner of speaking, a poltergeist invades my psychic space several times a day. After learning too well the lessons in spinelessness of America’s oppressive public school system, I accumulated countless memories of failing to resist abuses of authority—even at home. Too many memories of one’s own cowardice, and the world becomes a scary place all the time. Minor setbacks and frustrations in everyday life become sources of great terror, confusion, shame, guilt, and rage. When I hesitate unreasonably out of these feelings, I sometimes make horrible new memories of being a coward, too.

In 2007, middle-class Americans are expected to take their unseemly emotions to a therapist’s office. But I say no. In the spirit of my anti-therapy post of yesterday, I reaffirm my right to take my madness to the streets instead. My suffering is not my problem alone. My suffering is the entire community’s problem. Otherwise, a lot of squeaky wheels may never get greased.

Besides the political argument against therapy, I now have an empirical, practical one. This past month, I’ve felt stronger, more effectual, and more capable than ever. I have every reason to believe the trend will continue. As a therapy veteran, I think a therapist who would have endorsed my angry phone message, or anticipated its benefits, before the fact would be hard to find. To paraphrase Dickens, therapy is an ass.

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Posted by Brian Sorgatz at 8:58 PM

October 18, 2007

November Forum: Stephen Duncombe wants to encourage what James Hillman helped start

To that end, specifically, I support him. I don’t happen to know whether Duncombe has even heard of Hillman. But by design or by chance, Duncombe’s article for the November “Playboy Forum” reminds me of territory that Hillman has been tentatively but usefully mapping for years. Being libertarian, I take objection to the Marxist strain in both men’s thinking. Yet I respect, admire, and encourage the epistemological revolution they would foment.
It is a common mistake to think reality and fantasy inhabit separate spheres. They don’t. They coexist and intermingle. Reality needs fantasy to render it desirable, just as fantasy needs reality to make it believable. To embrace dreams and make peace with spectacle doesn’t mean you have to abandon your faith in a politics ruled by reason. It means you acknowledge that it’s only a faith. Perhaps people can, and probably should, study the reality of the world, make reasoned political judgments and act accordingly. But this way of seeing and being doesn’t have any taken-for-granted epistemological foundation. It is, to use academic jargon, a system of discourse that must be (re)created, imagined, operationalized and dramatized to appeal to the public’s imagination.
—Stephen Duncombe, “Why Don’t Liberals Dream?”, Playboy, November 2007, p. 43-44

Compare that with this transcription of a spoken conversation between Hillman and Michael Ventura, from the 1992 book they co-wrote, We’ve Had a Hundred Years of Psychotherapy—And the World’s Getting Worse:
HILLMAN: Look. Our assumption, our fantasy, in psychoanalysis has been that we’re going to process, we’re going to grow, and we’re going to level things out so that we don’t have these very strong, disturbing emotions and events.

VENTURA: Which is probably not a human possibility.

HILLMAN: But could analysis have new fantasies of itself, so that the consulting room is a cell in which revolution is prepared?

VENTURA: What?

HILLMAN: Could—

VENTURA: —could the consulting room be a cell in which revolution is prepared? Jesus. Could it?

HILLMAN: By revolution I mean turning over. Not development or unfolding, but turning over the system that has made you go to analysis to begin with—the system being government by minority and conspiracy, official secrets, national security, corporate power, et cetera. Therapy might imagine itself investigating the immediate social causes, even while keeping its vocabulary of abuse and victimization—that we are abused and victimized less by our personal lives of the past than by a present system.

It’s like, you want your father to love you. The desire to be loved by your father is enormously important. But you can’t get that love fulfilled by your father. You don’t want to get rid of the desire to be loved, but you want to stop asking your father; he’s the wrong object. So we don’t want to get rid of the feeling of being abused—maybe that’s very important, the feeling of being abused, the feeling of being without power. But maybe we shouldn’t imagine that we are abused by the past as much as we are by the actual situation of “my job,” “my finances,” “my government”—all the things that we live with. [A personal example of my own.—B.S.] Then the consulting room becomes a cell of revolution, because we would be talking also about, “What is actually abusing me right now?” That would be a great venture, for therapy to talk that way.

VENTURA: Let’s double back a second. You said, “Could analysis have new fantasies about itself?” What do you mean by fantasy? For most people that word’s associated with “unreal.”

HILLMAN: Oh, no, no. Fantasy is the natural activity of the mind. Jung says, “The primary activity of psychic life is the creation of fantasy.” Fantasy is how you perceive something, how you think about it, react to it.

VENTURA: So any perception, in that sense, is fantasy.

HILLMAN: Is there a reality that is not framed or formed? No. Reality is always coming through a pair of glasses, a point of view, a language—a fantasy.

VENTURA: But if therapy is to take this new direction, have this new perception or fantasy about itself, it seems we need some basic redefinition of some basic concepts. [p. 38-39]
Of course, Hillman’s line of thinking won’t lead inevitably to better democracy. It could, for instance, potentially replace “government by minority and conspiracy” with majoritarian tyranny—always a serious threat in a society where almost everyone belongs to a lifestyle minority of one kind or another. Nonetheless, Hillman’s wary eye on the political uses and abuses of psychotherapy is a model for every American.

Almost certainly, Hillman is no fan of many of my other favorite authors, like Steven Pinker, Judith Rich Harris, and Virginia Postrel. In that way, I see my own Hillmania as unlikely, like the friendship between R2-D2 and C-3PO. My measured libertarian optimism provides a useful counterbalance for Hillman’s left-wing Malthusian gloom. The world is generally getting better, not worse. Lighten up and relax, Dr. Hillman, and get in the damn escape pod.

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Posted by Brian Sorgatz at 3:31 PM

October 8, 2007

Rev. Scott Imler, medical marijuana’s fallen angel

Scott Imler, a United Methodist minister in West Hollywood, would rather regulate herbs in hell than serve liberated health care customers in heaven. He was willing to appreciate the logic of letting people use cannabis as a healing herb at their own discretion—until too many of his sacred cows were slaughtered by the alleged scandal of medicine’s commingling with capitalism at California’s medical marijuana dispensaries. Americans will stop worrying about health care soon after they learn to think calmly and rationally about it. Imler proves that point in the negative.

Morley Safer interviewed Imler for the September 23 60 Minutes:
The Supreme Court has upheld the DEA’s right to go after dispensaries, no matter what state law might say. And even one of the key proponents of medical marijuana says things have gotten out of hand.

“It’s just ridiculous the amount of money that’s going through these cannabis clubs. It’s absolutely ridiculous,” says Scott Imler, a minister in the United Methodist Church who has long been active in promoting medical marijuana.

Eleven years ago, he was working to pass proposition 215, the [statewide] ballot measure that legalized it. Today, Imler has second thoughts.

“The purpose of proposition 215 was not to create a new industry. It was to protect legitimate patients from criminal prosecution,” Imler says.

The aim back then, reflected in television spots, was for a highly regulated system in which licensed pharmacies would dispense medical marijuana to the seriously ill. Proposition 215’s backers had people with AIDS, cancer, and glaucoma in mind.

“What happened when we were writing it was, as you can imagine, every patient group in the state and they all have their lobbies. You know, the kidney patients and the heart patient. Every patient group wanted to be included in the list,” Imler recalls. “And so we didn’t wanna get in the position of deciding what it could be used for and what it couldn’t be used for. We weren’t doctors. We weren’t scientists. We weren’t researchers. We were just patients with a problem.”

Imler says they were forced to make the proposition vague.

So the law voters passed mentioned not only cancer and AIDS but “...any other illness for which marijuana provides relief.” A decade later, if you’ve got a note from a doctor, you can buy medical pot for just about any imaginable condition.

“Let me just ask you plain and simple. Is there this proliferation because people are simply using, quote, unquote, medical marijuana, to get high?” Safer asks.

“I think there’s a lot of that. And I think you know, a lot of what we have now is basically pot dealers in storefronts,” Imler says.

Many businesses calling themselves dispensaries or cannabis clubs advertise in alternative papers, as do doctors around the state who will give you a quick once-over and, for a price, a permit to buy.
Regrettably, Safer doesn’t see through the phony scandal of adult citizens purchasing an amazingly safe herb for the difficult to explain but very real benefits of getting high. I credit Imler with intellectual humility when he says, “We weren’t doctors. We weren’t scientists.” I wish he would take that reasoning a little further. Why doesn’t Imler notice the alarming discrepancy between the scientific and political processes? Why doesn’t he then apply the same standard of intellectual humility to politicians (and the health care workers they have forcefully deputized) that he does to himself?

If I could, I would deny any doctor or pharmacist the prerogative of vetoing my request for any medicine. Generations of government growth have taught many Americans to think of health care (and education) as things that come down from the government like manna from heaven. But the laws of economics are nearly as dependable as the laws of physics. It always sucks to be relatively poor. It entails relative deprivation in every worldly good and service, including health care. Meanwhile, free markets regulated minimally to avoid coercion, fraud, and gross threats to public safety are the historically proven way to make all goods and services continually better and more available. California’s medically sound Proposition 215 is a model for taking health care in general away from slow-witted bureaucrats and back to the people.

In other words, I am the final authority on whether getting high is beneficial to my health. Rev. Imler prattles onward:
“Most of these cannabis centers are buying their marijuana off the black market. They’re dumping millions of dollars into the criminal black market,” Imler says.

“Marijuana—what? Coming in from Mexico or wherever?” Safer asks.

“Some of it is,” Imler says. “Some of these places sell hashish, which comes in from the Becca Valley in Lebanon.”

“What you’re suggesting is that the traditional black market or part of the traditional black market is now legal?” Safer asks.

“Yeah. That’s essentially what’s happened,” Imler agrees.

....

And looking back on a decade of controversy, Rev. Scott Imler concedes that good Samaritans with good intentions weren’t enough. He argues it’s time for the federal government to step in and legalize and properly control medical marijuana.

“Until that happens, we’re gonna have what we have now, which is chaos,” he says.
Those are the last words of the 60 Minutes story. For some reason, what Imler calls chaos is supposed to be scary, like a movie presented by Count Floyd. Unless Imler can justify his fear of that kind of chaos without regurgitating hoaxes about marijuana, his newfound hypocrisy ought to diminish his reputation in the medical marijuana community.

Go fuck yourself, Reverend! You’re a Falwell in sheep’s clothing!

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Posted by Brian Sorgatz at 6:16 AM

September 27, 2007

October’s “The Ranch”: the self-righteous despair of an aging hippie

One seemingly trivial fact becomes increasingly significant to me the more I think about it and the more I compare these guys [in their thirties] with kids their age who didn't grow up in [utopian communes]: Not one of them owns an iPod.
—“The Ranch,” Playboy, October 2007, p. 136

In his article on hippie communes, their founders, and the people raised in them, David Black sees no need to finish his thought on what’s so bad about iPods, taking it for granted that his readers oppose “consumerism” as much as he does. I wonder what he thinks of the iPod sported by the October cover girl.

Unfortunately, this is not the first time I’ve seen Playboy contributors do the trendy but hypocritical Adbusters thing by laying a guilt trip on somebody else’s material pleasures. Like liars, sanctimonious people have difficulty keeping their stories straight. Watch Black congratulate his own generation for having no anxieties about becoming poor, and then, in the same paragraph, warn of global economic doom:
The baby boomers were the first generation to grow up out of the shadow of the Depression. Since they had no fear of going without, they embraced voluntary poverty. Today this concept has metamorphosed in our new overheated economy into “voluntary simplicity,” a trend bearing a hint of the you-can’t-fire-me-I-quit mentality: I’ll reduce my expectations before the bubble pops and we’re all left with enforced simplicity, which used to be called poverty.

A different world from the dream of the 1960s. [p. 133]
Although I wasn’t alive to see that decade, I know that Black’s memories of it are rather selective. Paul Ehrlich’s best-selling 1968 book The Population Bomb forecast inevitable global famine in the 1970s and 1980s that would kill hundreds of millions all over the world. This is fairly typical of the many Malthusian predictions that have failed to come true since then. Still, Black needs a reason to sneer at people who shop at Costco and admire Ronald Reagan. The proper term for his attitude may be “voluntary despair.”

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Posted by Brian Sorgatz at 6:24 PM

September 12, 2007

Make Terri Lynn Farrow a Playmate!

This student at Louisiana State University is pictured much more candidly on page 112 of the October Playboy, for its “Girls of the Southeastern [Athletic] Conference” pictorial. In her shot for the current issue, I see self-confident good taste. It’s a cliché to call Playboy’s nudes “tasteful,” but I choose my written words with care.

Virtually every image Playboy has ever published is less shocking and disgusting than some other representation of the naked female form that most men and women could easily imagine (or even create and have displayed in an art gallery somewhere). Playboy Enterprises’ workshops of model recruitment, photography, and photo editing work so consistently well that tastefulness is embarrassingly consistent in the product. (Even so, the allegedly ruthless corporate machine frightens away women whose hearts aren’t really set on it.) Embarrassingly, I say, because some seem to think that Playboy must earn its status as art rather than mere entertainment by shocking the bourgeoisie. But my political tribe, libertarianism, begs to differ. We’ve been building a consensus that “art” and “entertainment” are interchangeable terms. Like McDonald’s, Starbucks, and to a lesser extent, professional sports, Playboy may be a victim of its own success in bringing sensual pleasures to the masses within reliable—but perhaps aging—perimeters of good taste. Since sports seems to be the least hated of the four institutions by those who would dismiss Playboy centerfolds as kitsch, I’ll try to explain Terri Lynn Farrow as something like a Joe DiMaggio or Muhammad Ali: one who can express beautiful individuality through a medium of mass entertainment with conventions and clichés already familiar to millions through decades of exposure. Whatever the medium under discussion, not everyone can do that!

To follow my argument completely, you’ll need a paid subscription to the Playboy Cyber Club. That link is not work-safe, of course, and neither are many that follow in this post. I first noticed her in the fall 2001 College Girls newsstand special. But later on, I was thrilled to find six minutes of video of her tryout for the New Orleans “Casting Call” (QuickTime, RealVideo). This woman is charming, quirky, polite, daring, and gritty. Unless you hold to the rigid formulas of some (not all) feminists for how a self-respecting woman behaves toward men, you’ll notice this combination of traits, remember it, and love it. She satisfies almost every possible definition of all-American by claiming Swedish, German, French, Jewish, and African-American blood. The headshot in this post comes from her January 27, 2003, Cyber Girl of the Week gig. But in light of the aesthetic choices she made in presenting her body again more recently, she deserves to go all the way to Playmate of the Month at least.

I don’t dislike breast implants for the sanctimonious reasons that some others do. If you can’t agree with me on this, please have the integrity to say “I hate saline!” instead of “I hate silicone!” The former compound deserves the blame for the balloon look of visual adult entertainment in the 1990s. The American silicone market was largely destroyed by pseudoscientific lawsuits that feminists, among others, widely supported out of moral panic. Those lawsuits arguably did more to restrict women’s individual choices than that Marxist demon of good intentions, Catharine MacKinnon, ever can.

But for purely aesthetic reasons, I want a greater variety of sizes and shapes of breasts on the centerfold proper. As it happens, Farrow impresses me by still not having implants of any kind—if the photo on newsstands now is a reliable indicator. The long hair that falls over her petite breasts is an obviously dyed, platinum shade of blond. The October 2007 Playboy won’t tell you this, but her modestly trimmed pubic hair is that darker shade of blond naturally, according to the video. Farrow must have figured that guys would notice the juxtaposition: hair dyed a nature-defying color over nature’s own breasts. In the twenty-first century, Farrow has something in common with the men who ogle her Playboy picture. She can have the complex, Rabelaisian pleasure of understanding the quirky nuances of her own sexual behavior in light of evolutionary psychology. Like the heliocentric astronomy of Copernicus and Galileo and the evolutionary biology of Darwin and Wallace, this paradigm shift frightens and disturbs even as it opens up new possibilities for dialogue on perennial human issues like entertainment and the arts.

If Farrow can be anybody’s muse in any such indirect manner (with all due modesty!), she deserves a centerfold.

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Posted by Brian Sorgatz at 5:39 PM

July 31, 2007

Amanda Marcotte’s road to hell paved with empathy

While researching my previous post, I browsed left-wing feminist blogger Amanda Marcotte’s recent work. It reminded me of why I get so angry at people who seem to think they own the patent on compassion while they support policies that unintentionally hurt the less fortunate.

I discovered Marcotte when she publicly called me a loser because I write a libertarian blog about Playboy. Still, she implicitly claims to feel sorry for me in this passage from a more recent post:
Update: August Pollak alerted me to an article in Campus Progress about the [Independent Women’s Forum] conference [on campus sex and dating], an article that seems a bit more honest about the ugly sexism on display. Contrary to my theory that men act like dicks a lot of the time because they’re living under some pretty ugly pressures, the ladies at IWF seem to think that men were born dogs. But you know, having an empathetic attitude towards male feelings [serves as] evidence that one is a man-hater. You only love men if you see them as no better than leg-humping dogs.

I can’t say why exactly Allison Kasic of the IWF fascinates me so much. I think it’s because she’s smart enough to have clued into the fact that there’s [something] disillusioning and miserable about the attitudes of so many young men towards young women, but she comes to the exact wrong conclusion about how to handle the issue, arguing that instead of combating the misogyny that’s handed down to young men as a birthright, we reinforce the sexist notion that female sexuality is more of a commodity than a set of autonomous female desires. She’s got a write-up of [the] IWF sex conference that the evil sleeper cell [right-]winger Dr. Drew [Pinsky] spoke at, and it’s just a train wreck of false assumptions and pie-in-the-sky hopes about how to coerce a less contemptuous attitude towards women from the frateratti.

[Personally, I don’t see Dr. Drew as belonging to the cultural right. Instead, he’s one of our too many vaguely left-leaning public-health busybodies. But as I explained in an earlier post, one shouldn’t expect Dr. Drew to have very consistent political convictions on anything. Now I’ll let Marcotte speak for herself some more.]

By the way, to calm the nerves that a paragraph like the before invariably ruffles, I’m not saying all college age men are pigs. But it’s been my experience that there’s a lot of pressure on men when they’re younger to demonstrate a certain level of contempt for young women in order to satisfy their male peers that they’re all man. As they get older, their priorities shift and some of the compulsive misogyny falls away for a lot of guys that were only into it half-heartedly. But when you’re actually in college, sometimes the amount of pressure on men to be disdainful towards women can be stifling. In fact, my heart goes out on a level to a lot of young men who find themselves in a situation where respect for women is simply incompatible with having camaraderie with men in college. It’s this tension that I think is driving a lot of the unhappiness with men coming from the college women at this conference that Kasic talks about.
Ah, but does Marcotte really know what empathy is? In opposing school choice, she effectively favors a public-school monopoly for America’s poor and middle-income families, who have much less discretionary income for private schooling than wealthier families. Let them eat cake, indeed. Besides the direct name-calling I’ve already mentioned, I believe I have good reasons to take her stance on school as a lack of true empathy for me, thank you very much:

1.) As time goes on, every wise and honest person will eventually recognize Judith Rich Harris as the Copernicus of child development. To the degree that misogyny among American men is the problem Marcotte says it is, it must be because of the way American boys children* socialize each other—and not a direct consequence of the way American parents treat their boys.

2.) Jokes about schoolyard bullying, even as presented in entertainments like The Simpsons and A Christmas Story, may become even more ambiguously funny after a study of Harris. After all, jokes about prison rape aren’t necessarily funny, either. It’s obviously not the moral equivalent, but the difference is only a matter of degree.

3.) In light of Harris’ scholarship, my seemingly endless guilt over my failure to stand up to my father when he was alive is certainly the effect, not the cause, of having such a horrible time with the brutal machismo of the public junior high school locker room. The only way I knew to preserve my self-respect in the face of the assault on it was to feel superior by being the biggest goody two-shoes in the room. Unfortunately, the ruse corrupted me until I was too sheepish in the face of authority, and too lacking in personal ambition, to grow up gracefully and become an unbitter adult. In principle, Marcotte surely hates that locker-room culture as much as I did. But since public-school gym class is too stupid and cruel to survive the rigors of a free market in education—especially if I had my way and teenagers weren’t the new niggers—she aids in the oppression of millions of young people of both sexes.

4.) Alarmingly, Marcotte doesn’t seem to worry about the creep-up in legal age of majority that has taken place for the last few generations of Americans. Compulsory high school is an historical aberration (like marijuana prohibition, cough). It shouldn’t be such a sacred cow across the political spectrum. Andrew Sullivan has made the mistake of supporting it, but somehow I wouldn’t expect him to play the more-empathic-than-thou game in debate about it that Marcotte does about feminism. (For the record, I support Playboy’s good-faith effort to ensure a minimum employee age of 18.) Five days out of every week are a needless sorority initiation for millions of girls during the difficult early years of puberty. Meanwhile, the heart of the teacher’s pet bleeds for 18-year-olds who get drunk and expose their breasts for Girls Gone Wild. The child is father to the man—and to the woman, too. (Sorry, ghost of Emily Dickinson, but you were right about long dashes being so much fun.)

5.) My credibility gap between Marcotte and Sullivan lies in the respective presence and absence of the Blank Slate doctrine in the mind of each. Between the two, Sullivan shows more respect for the influence of evolutionary psychology and behavioral genetics on our policy debates. Nineteenth-century racists and sexists thought those sciences were on their side; twentieth-century racists and other dangerous idealists (Hitler, Stalin, Mao Zedong, Pol Pot, Woodrow Wilson) are exposed as fools by them. (And yes, the sexual revolution which Playboy heralded has sometimes had Blank Slate conceits of its own, although I still don’t think that that revolution has always been wrong.)

Marcotte’s compassion for me as a man is at best the compassion of the elephant for the merchandise in a china shop. Her intellectual clumsiness makes the analogy fair. I already know that I can’t trust her to see my fascination with Playboy as something other than a kind of brainwashing. I don’t need her “empathetic” missionary work to save my tribe from devil worship. If that’s her agenda, can anyone blame me for resenting it?

By the way, the Playmate mentioned in the blog post that Marcotte favorably links to in her anti-GGW rant is Miss March 1987, Marina Baker (her Playboy Cyber Club [workers of the world, beware of breasts] headshot):

Baker is 39 now, and probably still smokin’ hot. Marcotte is pretty cute, in case that’s at all germane. But since she seems so militant about its possible effect on her credibility (“God knows someone like me could never just, oh, put up some erotic pictures of myself without losing all credibility forever amen”), I won’t post her photo here.

More dirt on Marcotte

*Update, 2:57 p.m.: I’m truly embarrassed by the sexism of my original draft.

Update, December 4, 2007, 8:38 p.m.: For a few months, the Baker JPEG was missing. Now it’s back.

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Posted by Brian Sorgatz at 1:23 PM

March 3, 2007

What are you saying, Miss November 2004?

“I’m always suspicious of men who want to meet Bunnies.” The January “Playmate News” section attributes these words to Playmate Cara Zavaleta without context (p. 171). I may be leaping to conclusions, but I’m offended if she means what I think she means. I assume she’s describing a higher level of caution than women appropriately have towards strange men in general. If I met her, would my heroine addiction creep her out?

Zavaleta’s attitude has me wondering about the effects of the progressive ideal of egalitarianism on the self-esteem of the gifted. I’m arrogantly guessing that she has had to spend most of her life pretending she’s nothing special to keep her beauty from alienating others. But her high midi-chlorian millihelen count, her rare willingness to flash the entire world, and some non-genetic good luck have made her something quite special indeed.

My geeky Star Wars reference allows me to segue to my problem with David Brin’s hyperegalitarian screed against the “elitist, anti-democratic” saga. In a different context, Andrew Sullivan acknowledges inequality as a fact of life:
Of course, discussion of human natural inequality will always be sensitive. It’s a hard fact to absorb that some people will never be as intelligent as some others, or as musically gifted, or as mathematically skilled. Americans in particular hate the notion that there is some natural limit on what people can and cannot achieve.

But there is a distinction between moral and political equality for all—the bedrock of a liberal society—and unavoidable natural inequalities between human beings and, in a few narrow areas, between social groups. This cannot and should not mean that any individual should be prejudged or denied opportunity. But it does mean that some imbalances in certain professions may not be entirely a function of prejudice or bigotry.
Since Brin prefers “true science fiction” to space opera or superhero comics, I’ll say that my experience as a “gifted child” in the government school system—perhaps one of the “institutions” Brin would have us serve—reminds me of Kurt Vonnegut’s short story “Harrison Bergeron,” which begins with this paragraph:
The year was 2081, and everybody was finally equal. They weren’t only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else. All this equality was due to the 211th, 212th, and 213th Amendments to the Constitution, and to the unceasing vigilance of agents of the United States Handicapper General.
A related earlier post:
Playboy is all the cooler for being old

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Posted by Brian Sorgatz at 11:57 AM

January 29, 2007

The cultural right and left agree: misery loves company

What do The Atlantic’s Jon Zobenica and National Review’s John Derbyshire have in common? Probably without knowing it, both of them invoke George Orwell’s essay “The Art of Donald McGill” to justify their moralistic views on sexuality. If he knew I existed, Zobenica might think I appreciate his use of that reference to describe Playboy as essentially the lightsaber to Maxim’s blaster. (Star Wars analogies can go surprisingly far here. I recently told an attractive female friend that she has Jedi powers over the weak-minded, i.e. most of us guys.) But on the contrary, I take his essay as an unintended lesson in humility for all us Playboy freaks.

Zobenica wants us to know that he regards his youthful Playboy-ish days with embarrassment:
Looking back, I realize it’s not only the clothes that make me laugh. The restaurants we went to were “classy” at best. And none of us particularly enjoyed those New Orleans strippers (one looked like a rheumy sharecropper’s daughter). But there was, in all of it, a deliberate effort at contemporary maturity, an effort that was encouraged by Playboy magazine. Maturity was the key to that great Playboy Club of life—your all-access pass to the jumping realm of adult pleasures and preoccupations. We may have come of age clumsily, but no one doubted that it was the thing to do.

Where did those days go?
One need not be clairvoyant or trained in counseling to suspect him of misremembering those days. If the clothes, restaurants, and strippers were really as unimpressive then as he now says they were, why didn’t he ditch that scene immediately? Zobenica’s boomer exceptionalism makes Playboy a lonely voice for the inherent moral superiority of “commitment” in a lad-mag wilderness of Peter Pan complexes. He scolds an article in FHM for urging its readers to stay single, naïvely thinking that this message distinguishes the magazine from Playboy. I’m no fan of Barbara Ehrenreich’s crypto-Marxist feminism, but I give her credit for documenting Playboy’s original concept as the Maxim of the 1950s in her book The Hearts of Men: American Dreams and the Flight from Commitment. Although I’ve found more aesthetic value in Playboy than in Maxim or FHM, I cannot honestly claim moral superiority for it as a consequence. Oscar Wilde warned against conflating aesthetics with ethics. To paraphrase that brilliant aesthetician, there is no such thing as a moral or an immoral men’s magaz