Hollywood, California, is my spiritual hometown. I actually grew up in three other communities in California, but it hardly seems to matter which three. How could my heart take root anywhere under the tyranny of American public schooling?
I don’t have to work for a living. After my father died in December 1997, my family and I won a legal settlement.
The Blog About
Nothing: Sudheer of Hyderabad, India, is a big fan of Playboy and an
even bigger fan of Seinfeld. In this blog, he composes humorous
dialogues for the show’s characters.
Hit & Run: the official
blog of my other favorite magazine, Reason: Free Minds and Free
Markets; winner
of the 2005 Weblog Award for Best Group Blog; “the best
libertarian blog” according to the October 2005 issue of
Playboy.
Scoobie Davis Online: a self-described “filmmaker, surfer, and party crasher” in southern California. He’s also a Playboy fan, a left-leaning political gadfly, and a connoisseur of Jack T. Chick religious tracts.
The Search for
Health in Decadence: poetry and philosophical writings of Will, who has
engaged me in lengthy, good-natured debate through comments on my
blog.
Up the Tao Staircase: self-deprecating wit and wisdom from a Taoist perspective.
The Blank Slate: The Modern Denial of Human Nature by Steven
Pinker. With stylistic flair, a Harvard cognitive scientist
refutes myths about human nature underlying a multitude of political
beliefs—including many of those that would either favor or
oppose the sexual revolution.
God in Popular Culture by Andrew M. Greeley. A liberal Catholic
priest sees quasi-Christian messages of grace abounding in the
allegedly soulless realm of commercial pop culture. For all I know,
Greeley is not necessarily a Playboy fan. But his
interpretation of Madonna’s song “Like a Virgin”—more plausible than the interpretation in Reservoir Dogs—has
influenced my impression of Playboy. (In case anyone wonders, my religious heritage is German-Hungarian Lutheran on my father’s side and Anglo-Scots-Irish secularist on my mother’s.)
In her “20 Questions” interview for the February Playboy, Bettie Page, Miss January 1955, gives a mostly negative review of the 2005 film version of her life. But actress Gretchen Mol, director and co-writer Mary Harron, and co-writer Guinevere Turner interpret the pinup legend as a woman of remarkable courage and dignity. By refusing to take a side in any “culture war,” they avoid condescension towards the recent past. American sexuality in the 1950s is recognized as the first cousin of American sexuality in the 2000s: painfully aware of its own cruelty, yet managing to find some degree of grace. The religious implications of the word grace fit, because Page’s spirituality is taken as seriously as her sexuality. More people should view American social history through a lens so finely cut.